Lightbox Collective & SP7 Studios Present
A Full-Funnel Evangelistic Campaign
Prophecy
A cinematic, multi-platform campaign designed to fill
300–370 seats in Little Rock, Arkansas.
Speaker: Dustin Pestlin
§ 01 Who We Are
Ministry Heart.
We operate under two brands — Lightbox Collective, our commercial production studio, and SP7 Studios, our ministry-focused brand known across the SDA church. This project lives at the intersection of both.
Lightbox has spent years producing work for some of the biggest names in the world — Disney, Microsoft, Christus Health, Cavender's, and many more. Those brands sharpened our craft. SP7 is where we pour that experience into the work that matters most — ministry. This is that work.
Unlike other agencies, we don't outsource overseas. Our entire production crew is local. Every vendor, editor, and strategist we work with is U.S.-based — people who understand this market, this culture, and this audience.
Brands that trust us
See Our Work
Watch.
Here's a sample of what Lightbox Collective and SP7 Studios produce — from ministry campaigns to Fortune 500 brands. Same team. Same standard.
§ 02 The Real Challenge
Your Campaign Different
Before we show you the plan, let's talk honestly about the challenge in front of you — because understanding it is what separates a campaign that fills seats from one that doesn't.
Most event marketing relies on footage of the event itself — the crowd energy, behind-the-scenes moments, attendee reactions. The problem with Hope Through Prophecy? The event hasn't happened yet. That footage doesn't exist. This is where most campaigns stop and settle — and where we get to work.
- Generic stock photos of churches or open Bibles
- Wait until after the event to create any "real" content
- Same flyer + Facebook post every other church runs
- Content that only works before the event — then disappears forever
- One message broadcast to everyone the same way
- Film Dustin + professional actors in Texas or Little Rock
- Create cinematic ads that feel real before the event ever happens
- Content built to outlive this event and serve every future one
- Assets repackageable with a new CTA for any future campaign
- Separate, tailored messages for every type of person in your market
We don't need a crowd of attendees to make a compelling ad. We need the right story, told by the right person. Dustin becomes the face of the campaign — and with the right direction and script, every ad feels urgent, personal, and real.
- Dustin as on-camera talent in hero commercials
- Professional supporting actors to illustrate real-life stories
- Filmed in Texas or on location in Little Rock
- Emotional narratives centered on hope, relevance, and invitation
Here's something most agencies won't tell you: if you do this right, the content we create doesn't get thrown away after the seminar. It keeps working — for your church, your message, and your next event.
- Ads re-cut with a new CTA for every future campaign
- Builds ongoing awareness of the Adventist Church and the Three Angels' Message
- Lives permanently on your website as evergreen ministry content
- The brand equity built here scales to future seminars, regardless of presenter
The Evergreen Principle
You're building an asset.
The brand system, the campaign structure, and the strategy we build here are designed to carry forward — adaptable for future seminars, future presenters, and future cities.
cinematic storytelling
§ 03 Proof It Works
Case Study
We've already done this — at a much harder scale. Here's what happened, and why your event is even better positioned for success.
after COVID
GYC is one of the most recognized Adventist youth conferences in the denomination. But after COVID, even brand recognition wasn't enough. People had stopped traveling across the country for in-person events. Momentum was gone. Attendance was down.
We built a full-funnel campaign to rebuild that momentum — with targeted storytelling designed to address the exact hesitation people had about traveling and re-engaging with in-person community.
Consistent 1,000+ attendee growth YOY post-2021
§ Why You're Better Positioned
cross-country travel.
Your audience is already here.
The hardest part of GYC was convincing people to book flights, take time off work, and cross state lines. You don't have that barrier. Your event is local. The people you're trying to reach already live in Little Rock.
- Required flights, hotels, and days off work
- Audience spread across the entire country
- Competing with every other national event for travel budgets
- Post-COVID hesitation around long-distance travel was a major barrier
- Still grew 1,000+ per year — from a much harder starting position
- Audience already lives in Little Rock — no travel required
- A short drive is the only barrier to attendance
- Concentrated, reachable geographic market to target
- Goal of 300–370 seats is highly achievable in this context
- We've proven results at national scale — local is well within reach
§ 04 Knowing Your Audience
the Same Message
Here's something critical about modern advertising: different people in the same city need to hear completely different things. A lifelong Adventist wanting to invite their neighbor and someone who's never opened a Bible should never see the same ad. We build distinct creative and messages for each — and run them at the same time, to exactly the right person.
The same week, we could run a cinematic prophecy ad to someone who just searched "end times Bible" — while simultaneously running a warm, community-focused ad to a church member who wants to invite their coworker. Both ads go to people in Little Rock. Neither message would work for the other person. This is what precision targeting looks like — and it's one of the most powerful tools in this campaign.
§ 05 An Unfair Advantage
Nobody Else Has
Most event campaigns are limited to whatever content they can create in the weeks before showtime. Your campaign has access to something that cannot be replicated or purchased.
We are in production on a documentary that takes Dustin across Rome and Europe — filming at the actual historical sites where the prophecies he teaches were lived out. The Colosseum. The ancient churches. The ground where history and Scripture intersect.
This footage weaves directly into your campaign ads. Imagine a presenter speaking about prophecy while standing in front of the actual ruins described in Daniel. That's not something you can fake — and no other church, anywhere, will ever have it.
- Ties biblical prophecy to real, visible history
- Makes abstract doctrine tangible and emotionally resonant
- Elevates perceived quality of your entire campaign
- Builds ongoing awareness of the Adventist message far beyond this event
- Evergreen — the documentary footage and brand framework are reusable for any future prophecy campaign
"Standing where prophecy
was written — bringing it
home to Little Rock."
Documentary footage · Rome & Europe
"No other church — period — will ever have a campaign like this."
Lightbox Collective × SP7 Studios · Campaign Strategy
§ 06 The Playbook
How This Works
We've broken this campaign into three simple phases. Think of them as three buckets — each one builds on the last. We create the content, we build the system to capture interest, and we put money behind it to reach the right people.
The Results We're After
Every dollar, every ad, every piece of content we create serves a single, measurable objective:
If people in Little Rock don't show up, nothing else matters. Every decision below is measured against this: does it put more people in those seats?
Bucket 1 Production
Creating
This is the content that becomes your campaign — and your church's media library for years to come. Every piece is produced with cinematic quality and designed for a specific audience and platform.
How the Hero Commercials Work
Three Audiences.
Each hero commercial is written and produced for a specific type of person in Little Rock. The goal isn't to make one ad for everyone — it's to make three ads that each feel like they were made for one person.
Bucket 2 Acquisition
Viewers Into Attendees
Great content isn't enough on its own. You need a system that catches the people who are interested and walks them from "I saw the ad" all the way to "I'm in the building." That's what this phase builds.
Here's how it works in plain terms:
Think of it like a funnel: the ads put people in the top. The landing page catches them. The email sequences keep them warm. And retargeting brings back the ones who slipped through. Every piece works together — nothing exists in isolation.
Bucket 3 Distribution
& Where the Money Goes
This is where we put the content in front of real people — the right people, in Little Rock, on the platforms they actually use. The goal: reach them enough times that when they see "Hope Through Prophecy," they already feel like they know Dustin.
reach.
We allocate $25,000–$30,000 specifically to ad spend — that's the money that goes directly to the platforms to put your content in front of people. This is separate from production and strategy. Every dollar is tracked, optimized weekly, and reallocated to whatever is working best.
organic reach.
When content is produced at this level — cinematic, emotional, shareable — platforms like TikTok and Instagram reward it with free distribution. Podcast clips and short-form content are specifically designed to earn this organic reach, stretching your budget further than ads alone ever could.
§ 07 The Investment — Detailed Breakdown
Accounted For
Below is a transparent, line-by-line breakdown of the full campaign investment — organized by phase. Every crew member, every deliverable, every dollar has a job.
|
Script Writing
3 hero commercial scripts (60–90 sec each), 8–10 short-form ad scripts, 2 radio scripts (30s + 60s)
|
|
Creative Direction & Storyboarding
Visual treatment, shot lists, mood boards, storyboards for all hero commercials. Sets the creative vision for the entire campaign.
|
|
Campaign Brand Development
Full brand guide — color palette, typography, visual tone, messaging framework, main campaign theme graphic. Used across all media.
|
|
Casting & Talent Coordination
Casting paid actors for hero commercials. Talent agreements, scheduling, wardrobe coordination.
|
|
Location Scouting
Scouting and securing shoot locations in Little Rock and/or Texas. Permits and logistics as needed.
|
|
Director / Producer
Oversees all creative decisions on set. Directs talent, approves shots, ensures the vision from pre-production is fully realized. 3 shoot days.
|
|
Director of Photography (DP)
Operates and manages the camera. Responsible for lighting design, shot composition, lens selection, and the overall cinematic look. 3 shoot days.
|
|
Gaffer (Lighting Director)
Designs and executes all lighting setups. Works with the DP to create the mood, depth, and cinematic feel of every scene. 3 shoot days.
|
|
Grip
Supports the camera and lighting departments — handles dollies, sliders, rigging, flags, and diffusion. Critical for smooth camera movement. 3 shoot days.
|
|
Audio / Sound Mixer
Records all on-set audio — dialogue, ambient sound, room tone. Manages wireless lavalier mics and boom operation. 3 shoot days.
|
|
Production Assistant (PA)
On-set support — manages talent schedules, handles equipment, coordinates logistics, runs the set efficiently. 3 shoot days.
|
|
Hair & Makeup Artist
On-camera talent preparation for Dustin and paid actors. Ensures consistency across all shoot days and setups. 3 shoot days.
|
|
Cinema Camera Package
RED cinema camera system, cinema lenses, tripod, gimbal/slider, monitors, media cards. Professional-grade equipment for broadcast-quality output. 3-day rental.
|
|
Lighting & Grip Equipment
LED panels, diffusion, flags, C-stands, dolly, slider, sandbags, gels, and modifiers. Full professional lighting and grip package. 3-day rental.
|
|
Travel, Lodging & Logistics
Crew travel to Little Rock (or local Texas production). Hotel, ground transportation, per diems, and production logistics for 3 shoot days.
|
|
Lead Editor — Hero Commercials
Full editing of 3 hero commercials (60–90 sec each) — assembly, pacing, narrative structure, multiple revision rounds. Delivery in 16:9, 9:16, and 1:1 formats.
|
|
Editor — Short-Form & Social Cuts
Editing of 8–10 short-form ads (15–30 sec) from hero footage and standalone shoots. Optimized for TikTok, Reels, and YouTube Shorts.
|
|
Colorist / Color Grading
Professional color grading across all video deliverables. Creates the cinematic look and ensures visual consistency between hero ads, shorts, and documentary footage integration.
|
|
Sound Designer & Audio Mix
Sound design, dialogue cleanup, ambient audio layering, and final audio mix for all video deliverables. Ensures broadcast-quality sound across all formats.
|
|
Motion Graphics & Title Design
Animated end cards, lower thirds, campaign branding overlays, and typography for all video deliverables. Clean, modern design consistent with the brand system.
|
|
Music Licensing
Licensed music for all hero commercials and short-form ads. Cinematic, emotional scoring that elevates the storytelling without distracting from the message.
|
|
Podcast Production
Multi-camera studio filming, editing, and audio production for 5 podcast episodes. Includes clipped short-form segments for social distribution (3–5 clips per episode).
|
|
Campaign Supervisor / Strategist
Oversees the entire campaign lifecycle. Sets strategy, manages timelines, coordinates between production and distribution, ensures everything stays aligned and on schedule.
|
|
Ad Spend Manager
Manages all paid media accounts — Meta, Google, TikTok, YouTube. Handles daily budget allocation, audience targeting, A/B testing, retargeting setup, and weekly optimization reporting.
|
|
Landing Page Development
Custom, conversion-focused landing page. Mobile-optimized design, registration form, event details, speaker bio, social proof. The single destination every ad drives to.
|
|
Email Automation & Nurture Sequences
Full email strategy — welcome sequence, event reminders, content drops (podcast clips), countdown series. Executed via professional third-party platform for deliverability.
|
|
Graphic Design — Ongoing Campaign Assets
Social media graphics, flyer design (print + digital), signage, ad creative variations for A/B testing. Ongoing support throughout the campaign run.
|
|
Direct Mail Design
Campaign-branded mailer design — postcards, oversized mailers, and invitation-style pieces. Consistent with the full campaign visual identity and messaging framework.
|
|
Print Production
Professional printing on premium stock — high-quality finishes that match the cinematic standard of the rest of the campaign. Multiple formats for different audience segments.
|
|
Mailing List & Targeting
Geo-targeted mailing list acquisition for Little Rock and surrounding zip codes. Households selected based on demographic and geographic targeting criteria to maximize relevance.
|
|
Postage & Fulfillment
Full mailing fulfillment — sorting, labeling, USPS postage, and delivery coordination. Timed to land in mailboxes during the key awareness window leading up to the event.
|
|
Meta — Facebook & Instagram
Geo-targeted campaigns across Little Rock and surrounding areas. Multiple creative variations, audience segments, and retargeting pools running simultaneously. ~40% of spend.
|
|
Google Ads — Search & Display
Intent-based search ads ("church near me," "Bible prophecy events") plus display network for awareness reinforcement across the web. ~25% of spend.
|
|
TikTok — Paid & Organic Boost
Short-form video ads targeting younger demographics in the Little Rock market. High organic upside — quality content gets free algorithmic distribution on top of paid reach. ~20% of spend.
|
|
YouTube — Pre-Roll & Discovery
Skippable in-stream ads before relevant content. Podcast episodes live organically on YouTube, with paid promotion to expand discovery. ~15% of spend.
|
Let's Build This Together
deserves a campaign
that works.
Little Rock is ready for this. The message is timeless. The opportunity is real. We're ready to build something that fills those seats — and lays the foundation for everything that comes after.